Ah, sweet progress…
Ah, sweet progress…
Weaving is not for those who need instant gratification…
One of the advantages of developing your own style with one specific technique is really spending quality time with your materials – learning them inside and out.
I’ve been weaving for about 12 years now and somewhere in the first 3-4 years, I did a placemat project that called for carpet warp (sometimes known as rug warp). It’s a tough cotton typically used for rugs. I loved it!
This type of yarn comes in a million colors and won’t break the bank. And as an added bonus, I have a great resource close by in Kalamazoo, Michigan! Great Northern Weaving offers lots of options for me and in a pinch, I can get in the car to drive the hour & a half to see the yarn in person. It’s a great arrangement!
Working with the same fiber for so long has given me an appreciation for what it can and can’t do. Carpet warp is a work horse! I think in the many, many projects I’ve done, I have had a yarn break once. It’s so durable and sturdy – perfect for handbags!
On the flip side, I’ve discovered that because of its sturdiness, it’s not ideal for wearables. It just doesn’t drape well or soften up enough. It’s also not ideal for fringe – it doesn’t keep its shape. If I am weaving a table runner, I either hem the fabric or twist the ends. That keeps the finishing work looking clean.
One of the other considerations is the amount of shrinkage. For a plain weave/twill weave structure, it can easily shrink 10% in both directions. What is crazy is when you do a little Rep weave (Ripsmata), it can go as high as 20-25% for the length! I don’t find this to be a pro or con, it’s just the nature of the beast.
I tend to use carpet warp for all my warps. The wefts will vary, depending on the desired end result. But I’ve found it to be very versatile and crazy colorful, which works perfectly for me!
What are some of your favorite fibers or materials?
I am starting a new project – yay! Yesterday, I jotted down my pattern, pulled out the yarn, measured everything at the warping board, and sleyed the reed. And just when I was feeling really good about myself, I realized I forgot to measure an entire repeat of the pattern (since 9 goes into 36 4 times – not 3)!
This got me thinking about all the variables and ways a weaving project can go awry. Right off the bat you are working with a loom and all its moving parts. You truly need to be part mechanic to keep up! I have had multiple bits fall apart, fall off, bend, break, fray, and who knows what else! I currently am holding together part of the loom with a twist tie! (You know – the little guys used to keep your bread closed? So far, its working! Keep your fingers crossed for me, would ya?)
Thankfully, parts of the loom tend to wreak havoc in stages, not all at once! I’m fortunate to have been able to simply repair or easily replace parts thus far. No serious surgery has been necessary. I’ve been lucky!
As a weaver, you not only have to navigate all the moving parts of the equipment, but also the many stages of a project! I feel pretty confident that in my 11 years of weaving, I’ve hit all of the major mistakes & lots of minor ones! Forgetting to mark the cross on the warping board so I have no clue what order my 200+ threads are supposed to be in. Not having enough heddles in the loom when you have already laid in nearly all the yarns. Making a threading error an inch off center in the project. Ah, the list goes on and on!
But I feel like this obstacle course every weaver runs through with each project makes us a very patient & persistent lot! Some might say crazy… and that might not be wrong, either! There is certainly a reason not everyone weaves. But to those who do, I wish you all the best jumping, swinging and dodging your way through your next project!
What is your best story about a project gone wrong?